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Sir Thomas Beecham Opera Company - 2
 


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(1) (2) (3) (4) (5)

                

(6) (7) (8) (9) (10)

                

(11) (12) (13) (14) (15)

                

(16) (17) (18) (19) (20)

             

 


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(1) Frederick Austin (Marcel), Webster Millar (Rudolph) and Powell Edwards (Schaunard) in La Boheme.

(2)  Olive Townend as Musetta in La Boheme. Olive Townend studied with Emma Nevada in Paris and made her operatic debut in The Boatswain's Mate (Dame Ethyl Smyth) under the baton of Thomas Beecham.

(3) Frederic Austin as Marcel in La Boheme. English baritone (London: 30 Mar 1872 - London: 10 Apr 1952).

(4) Powell Edwards as Schaunard in La Boheme.

(5) Jeanne Brola as Mimi in La Boheme.

(6) Maurice D'Oisly as Julian in Louise.

(7) Edith Clegg (The Mother) and Miriam Licette (Louise) in Louise.

(8) Maurice D'Oisly and Miriam Licette as Julian and Louise, respectively.

(9) Edith Clegg (The Mother), Frederick Ranalow (The Father) and Miriam Licette (Louise) in Louise.

(10) English soprano Miriam Licette (1892-1969) in the title role of Louise. She was a pupil of Marchesi and de Reszke. Licette made her debut (1911) in Rome (Madama Butterfly). She sang with Beecham's troupe (1916-20) and with the British National Opera Company (1922-28) that evolved from it. She also sang many important roles with the Royal Opera at Covent Garden (1919-29).



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1 Reid, Charles. 1962. Thomas Beecham. An Independent Biography. New York: E. P. Dutton & Co.

 

(11) Contralto Ethel Toms as Feodor in Boris Godounov.

(12) Doris Lemon as Xenia in Boris Godounov.

 

(13) Robert Radford in the title role of Boris Godounov. English bass (Nottingham, England: 13 May 1874 - London, England: 3  Mar 1933). He made his operatic debut at Covent Garden (1904) as the Commendatore in Don Giovanni. He sang in the first English Ring Cycle in London. He created Abbott Tunstall in Angelus (Naylor). In 1921 he became a founder, along with Thomas Beecham, of the British National Opera Company. Later he became its director.

(14) Webster Millar as Grigori in Boris Godounov.  Webster Millar was his stage name. His real name was Charles Cecil. A tenor, Millar appeared with the D'Oyly Carte "New" Opera Company in 1921. From 1911 until his untimely death (blood poisoning) in 1924, he appeared in grand opera at Drury Lane, Covent Garden, and with the Beecham Opera Company.

(15) Powell Edwards as Pimène in Boris Godounov.

(16) Robert Parker as Tonio in Pagliacci. Born: May 13, 1874 -

(17) Frank Mullings as Canio (Pagliacci): English tenor (Walsall: 10 Mar 1891 - Manchester: 19 May 1953). He made his debut in Coventry (1907) as Faust. He performed with the T.B.O.C. from 1916 to 1921. He was also associated with the B.N.O.C. from 1922 to 1926. He created the role of Hadyar in Nail (by De Lara) and Apollo in Alkestis (by Boughton).

[During World War I] "Mobile anti-aircraft guns parked near the theatre during a Pagliacci. Their fire made counter rhythms to the bass drum beats which herald the strolling players' entry. Shrapnel rattled on the stage roof. [Donald] Baylis urged the singers to carry on."1

(18) Olive Townend as Nedda in Pagliacci.

(19) Rosina Buckmann as Cio-Cio-San (Madame Butterfly). New Zealand soprano (Blenheim, NZ: c1880 - London: 30 Dec 1948). She made her debut in Welling (1906) in A Moorish Maid (by Hill). She sang with the Melba Grand Opera Company in Australia (1909, 1911). She appeared at Covent Garden, and with the Beecham Company from 1915 to 1920. She excelled as Aida (seen here), Butterfly, and Isolde. She was married to the tenor Maurice d'Oisly.

(20) Edith Clegg as Suzuki in Madame Buttterfly.