Opera Singers - P - Page 2

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Perron
Pampamini
Pertile
Perron
Petrova
Petrova
Petrova
Philipp
Philipp
The role of Baron Ochs in the world premiere was passed to German bass Karl Perron (1858-1928) after the services of Richard Mayr could not be acquired. Although he may not have been Strauss's first choice, Perron was evidently regarded highly enough by him to have been chosen to create Jochanaan in his Salome and Orestes in his Elektra. However, in correspondence between the composer and librettist, there are indications that Strauss was considering the services of Paul Bender just in case Perron did not work out in the role of Ochs: "In case you and Reinhardt [the producer] do not succeed in grooming Perron for the part, I give you full powers of veto to cancel the premiere with Perron on the 26th. . . . [Perron] is such a first-class artist that he will understand and share our misgivings." German lyric tenor Robert Philipp (1852-1933) as Don José in Carmen. He began a career as an actor in Berlin. In the 1880s he took up singing in operettas in that same city. In 1890 he made his first appearance in grand opera at the Berlin Imperial Opera where he remained the rest of his career. He was married to soprano Marie Dietrich.  
Rosetta Pampanini (Milan: 1896 - Corbola, Rovigo: 1973): Italian soprano. Debut (1923) Biella as Musetta in La Bohème. She sang Cio-Cio-San at La Scala in 1925, which was the first performance of Madama Butterfly there since the unfortunate premiere in 1904. Her career was assisted by Arturo Toscanini. Berlin, Chicago Opera, South America, but her career was mostly at La Scala. Never performed at the Metropolitan Opera. Julius Patzak (9 Apr 1898 - 26 Jan 1974): Austrian tenor seen here as Florestan in Fidelio - his greatest role. Debut Reichenberg (Bohemia) (1926) as Radames. Sang throughout the then Bohemia, Munich, Vienna, London CG, Antwerp. Created roles in Pfitzner's Das Herz and Orff's Der Mond. Mezzo-soprano Vera Petrova-Zvanceva (1875-1944) in an unidentified role. She spent the duration of her career in Russia, principally in Moscow. She was most remembered for her interpretations of Carmen and Zazà. Aureliano Pertile (3 Nov 1885 - 23 Jan 1952): Italian tenor. Debut Vicenza (1911) as Lionel in Martha. Metropolitan Opera, and La Scala where he was the premiere tenor. His world premiere roles included Boito's Nerone (1924), Sly (1927), and Mascagni's Nerone (1935). Covent Garden, Paris Opéra, Berlin, Brussels, Vienna, etc.
Patzak
Graziella Pareto (6 Mar 1889 - 1 Sep 1973): Spanish soprano. Debut (1908) in Madrid. Sang throughout South America, Spain, Italy, Covent Garden, Monte Carlo, Chicago Opera, Russia, etc. Never engaged by the Metropolitan Opera. Married to composer Gabriele Sibella. She had a beautiful and controlled coloratura voice.      [Special thanks to Ondina Ballester for providing this additional information on Pareto: Graziella sang with her grandfather in Chicago for three seasons. According to the family, Graziella was actually born in Barcelona (15 May 1889) and died in Rome (1 Sep 1973). Her first husband was Gabriele Sibela; the marriage was short-lived. On 1 Dec 1926 she married an Italian doctor, Nando Arena.]
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